T-Table
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T-Table
Designer:
Year:
1998
To design an essential table that stands out for its details. What might seem like a contradiction in terms – the essential and the distinctive detail – has been resolved by Mangiarotti by means of the simple combination of two “L” shaped extrusions that become a “T” with a single 45° cut: the table as a child would draw it is thus transformed into a visually refined and suspended object, and a structurally solid, light product.
Share:
Designer:
Year:
1998
To design an essential table that stands out for its details. What might seem like a contradiction in terms – the essential and the distinctive detail – has been resolved by Mangiarotti by means of the simple combination of two “L” shaped extrusions that become a “T” with a single 45° cut: the table as a child would draw it is thus transformed into a visually refined and suspended object, and a structurally solid, light product.
Share:
System of square and rectangular tables. Structure in extruded satined aluminium or painted with epoxy powders in metallic silver (am) or matt black RAL 9005 (n). The tops, with bevelled borders, are inserted flush with the structure and are available in the versions: in 12 mm translucent tempered acid-etched crystal (cat), in Carrara White marble (mca) or in Marquina marble (mma).
Sizes:
Rectangular: 145 cm x 85 cm x h 73 cm;
Rectangular: 185 cm x 85 cm x h 73 cm;
Square: 145 cm x 145 cm x h 73 cm;
Rectangular: 225 cm x 95 cm x h 73 cm;
Rectangular: 250 cm x 95 cm x h 73 cm
Materials:
Structure: Extruded aluminium
Top: Traslucent acid-etched crystal, Carrara marble or Marquinia marble
Angelo Mangiarotti
Angelo Mangiarotti, Milanese architect and designer, graduated from the Politecnico di Milano in 1948, leaving a significant mark on 20th-century Italian design. Renowned for the balance between form and function, he collaborated with prestigious companies, contributing to the success of modern Italian design. Among his notable architectural works are the skyscraper in Niguarda, Milan, and the church of San Giovanni Battista in Augusta. His minimalist approach and attention to construction precision are also reflected in furniture and everyday objects, which have become design icons. Mangiarotti was a member of the ADI (Association for Industrial Design), emphasizing his commitment to shaping the landscape of Italian industrial design.